Skip to product information
1 of 5

Martin Finnin

Head With Vortex

Head With Vortex

Hand-painted silkscreen 54 x 80 cm

A figure lifts its head above a web of lines—structures of conditioned thought built up over years of ideas, habits, and beliefs. The figure contemplates its open cage, caught between safety and possibility.

Key information and details about the painting’s creation below.

Regular price €1.650,00
Regular price Sale price €1.650,00
Sale Sold out
Taxes included.

1 in stock

View full details

Helpful details to review before completing your purchase

Purchase Information

Artwork Details

Silkscreen on Hahnenmühle paper, hand-painted with acrylic

54 x 80 cm

2019

Framed

Payment & Purchase

Payment is made in full through the online shop. Once your purchase is complete, the artwork is marked as sold and reserved exclusively for you. You will receive an order confirmation by email with full details of your purchase.

We will then be in contact to arrange delivery - see further details in the section below.

Delivery

Delivery within the Republic of Ireland is included at no additional cost.

Each work will be carefully prepared and delivered after the exhibition closes on 27 October.

We will contact you directly to arrange a convenient delivery time.

Returns & Enquiries

Each artwork is a unique original, and all sales are final.

If you have any questions before purchase, or would like to view a work in person during the exhibition, please contact us prior to placing your order.

Provenance & Copyright

All artworks are sold directly by Martin Finnin and come from the artist’s studio, not through resale.

Purchase of an artwork does not include the transfer or licensing of copyright, which remains with the artist.

My studio in Berlin was one of the warmest I’ve ever worked in, even as snow fell outside. I made this piece during that time, using ink and acrylic over a printed floral wallpaper pattern inspired by the old East-Berlin studio building. The figure and its cage came together quickly and felt unlike anything I’d done before—edgier, more uncertain. When I look at it now, I still wonder whether the figure will leave before the door closes.